Cregger's follow-up to "Barbarian" offers an even more ambitious cross between domestic horror and sketch comedy.

One of this year’s best films is an intelligent study on youth not in revolt but as pawns subject to ancient forces. Oh, and it’s scary as hell.

If you want more detail, check back Friday for a (clearly labeled) spoiler-filled discussion of Zach Cregger's "Weapons" -- as well as the complexities of writing criticism with your hands tied. If this whole "making movies" thing doesn't work out Zach Cregger should host a horror-themed game show.