You are able to gift 5 more articles this month. Anyone can access the link you share with no account required. Learn more. The Metropolitan Opera presents “Hamlet” for the the final Live in HD ...

Performances in N.Y.C. Advertisement Supported by My Favorite Page Brett Dean, whose adaptation of the classic play is at the Metropolitan Opera, discusses the four notes that embody Hamlet’s dilemma.

Behind the scenes of the Metropolitan Opera's latest production -- to be shown live in HD at Showcase Cinemas 53 on Saturday -- is a dramatic story of dreams fulfilled. The acclaimed soprano Natalie ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. A riveting contemporary masterpiece and the third Metropolitan Opera premiere in ...

On May 13, the Metropolitan Opera will present the company premiere of Australian composer Brett Dean's Hamlet, a bold adaptation of Shakespeare's timeless drama, with six additional performances ...

I was ready to love Brett Dean’s “Hamlet,” which had its North American premiere on Friday at the Metropolitan Opera. The video of the show from its 2017 Glyndebourne debut was gripping, a vertiginous ...

After a short break, the high-definition broadcast from the Metropolitan Opera returns with Ambroise Thomas' "Hamlet." The performance begins at noon at the Town Plaza Cinema in Cape Girardeau. Thomas ...

For more than nine decades, the Metropolitan Opera Radio Broadcasts have brought opera into millions of homes, playing a vital and unparalleled role in the development and appreciation of opera in ...

The Metropolitan Opera in New York City is the largest classical music organization in North America. For any opera singer, it’s a dream come true to be part of the company’s productions. That’s ...

Simon Keenlyside and Natalie Dessay bring their extraordinary acting and singing skills to two of Shakespeare’s unforgettable characters. When this production, directed by Patrice Caurier and Moshe ...

Performances in N.Y.C. Advertisement Supported by The British tenor Allan Clayton’s portrayal of the title role in Brett Dean’s opera is personal, emotional — and a breakthrough. By Roslyn Sulcas The ...