There’s a time and a place for regressive rock, and in this house it’s whenever the day has a Y and the clock has a spring. I ...

Victoria Shen, aka Evicshen, stares back from a small, darkened room. The gloomy setting played out on my screen is one that ...

Angus Batey looks at a lavish set of early DJ Shadow singles which restates the long-neglected idea of hip hop as art.

The new album from the Washington DC-born singer makes a strong case for the argument that R&B is the most versatile, ...

Six months into 2026 here are the best albums of the year so far, as voted for by tQ staffers, columnists and writers ...

For years ‘Ghost Town’ by The Specials has been cited as the soundtrack of the 1981 riots, perennially rolled out for ...

With an exclusive introduction by writer and film programmer Gareth Evans, the Quietus presents 'Off With His Head', an ...

Across a decade of releases, Los Angeles-born Jake Muir has demonstrated a firm commitment to shunning the more conservative ...

Tariq Goddard heads to City of London Stadium to witness a band intent on playing big music intended to conquer vast spaces ...

Sicilian trio Nuhara have produced one of the best albums of the year in their debut, Rama. They speak to Patrick Clarke ...

Canadian composer makes a tour of the church organs of Newfoundland and finds a surprising index of the changing of the ...

Stakes Is High, De La Soul's fourth album, was the first time hip hop questioned its own growing sectarian nature in the ...