At Kunstverein Kevin, Vienna, ‘Thoughts in No Particular Order, Given the Circumstances’ turns a simple logistical prompt ...

From Asad Raza’s public tennis court staged in a former Belgian church to a subtly subversive edition of Manifesta set across ...

At Kunsthalle Basel, the artist’s immersive installations transform Tornado Alley into a metaphor for cyberspace's seductive, ...

The Greek artist will make a new commission for Frieze London 2026 that combines physical interaction with online ...

PhD in performance studies. She is currently based in Sweden.

At Malta International Contemporary Art Space, the artist’s incandescent paintings map the country’s profound connection to the surrounding sea ...

At Henie Onstad Kunstsenter, the artist transforms Cantonese shadow theatre into a digitally immersive environment where migration, myth and cultural translation remain in constant motion ...

In the introduction to a selection of his plays published in 1991, the English writer Michael Frayn tried to diagnose what went wrong with Balmoral, his 1987 farce in which the British monarch’s ...

In 1962, a new Jamaican consciousness and sense of self was reborn in fire through ceremonial state independence from Britain, its former enslaver and colonist. Not since the initiation of the ...

Sin Wai Kin’s Dreaming the End (2023) is a contemplative exploration of fluid narratives and the evolution of human experiences. With a discerning eye, Sin situates viewers in a liminal space where ...

Currently a curator at Hamburger Bahnhof in Berlin, as well as a writer and art historian, Catherine Nichols gained international recognition for her stewardship of Manifesta 14 in Prishtina, Kosovo.

‘What’s that?’ proclaims a small boy clutching an ice cream, pointing with his free hand towards the sea. His mother doesn’t know how to answer. ‘It’s a bird,’ she says cautiously. They’re standing on ...