This article contains spoilers. In a time when artificial intelligence is becoming exponentially more popular and profitable, new film “Companion” casts a reflection on human relationships in the age of advanced AI technology.

This admission, in addition to some other instances of bizarre behavior, takes on a whole new meaning when the events of the next morning culminate in Iris killing an aggressively handsy Sergey after he tries to take advantage of her down by the lake.

Companion review: this comedy horror on the perils of AI might be blunt, but it’s a bloody hoot - 4/5 Sophie Thatcher makes her claim for the scream queen crown in Drew Hancock’s punchy take on the ro

Hot on the heels of her tremendous turn in Heretic, Sophie Thatcher proves she’s the scream queen to beat with this post-artificial intelligence comic spin on The Stepford Wives.

"Companion," in theaters Jan. 31, is a surprising and suspenseful robot thriller with relevant social commentary on both AI and misogyny.

That’s right, Companion isn’t just a cutie little love story painted with the red of heart-shaped candy and blood, but is also a hate-mail valentine to mediocre tech bro losers who have a difficult time checking their entitlement.

Friend, a startup creating a $99, AI-powered necklace designed to be treated as a digital companion, has delayed its first batch of shipments.

Sophie Thatcher coolly holds down the center of a horror-comedy that's closer in tone to the entertaining silliness of 'M3GAN' than anything truly disturbing.

Critics Rating: 3.5 stars, click to give your rating/review,Hancock’s debut feature is a twisted, thrilling ride that cleverly balances satire and suspense—keep

Early in "Companion," lovely Iris and her nerdy-nice boyfriend Josh are driving to a secluded lake house for a stay with friends. Iris wakes from a nap and lovingly tells Josh she was dreaming about him. They reminisce about how they first met at the supermarket. All those oranges tumbling onto the floor! Ha ha.

Iris has only had two truly defining moments in life. The day she met Josh. And the day she killed him. With that deliciously ominous prelude, the film sets the stage for a rollercoaster of deception, manipulation, and technological terror.

Chuck in a software tweak, and we’re somewhere between Fatal Attraction and Westworld.Thatcher describes it as “a love story within yourself, about loving yourself, [because] for a good 60, 70 per cent of the movie,