“Only the anachronism has a chance to outlast the epoch,” the Austrian author Franz Werfel wrote, in the early nineteen-forties. At a time of dizzying cultural change, Werfel saw a hidden advantage in ...

The first sounds I heard after arriving at Philip Glass’ townhouse in Manhattan’s then-bohemian East Village to interview the composer in 1993 were extraordinary. Glass happened to be in his kitchen ...

I want to say a special word about Dave Malloy’s “Preludes,” because it is the work of an artist who is not afraid to try things, or to create worlds that haven’t necessarily been seen before, and, ...

How does ensemble size and instrumentation shape the listening experience? We hear from a 14-year-old violinist who feels passionately about music-making, meet a teen pianist who takes on Rachmaninoff ...

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. It was a 1930s version of trolling. Disgruntled by his neighbour tediously practising the piano in the ...

The 1917 Russian Revolution was, to many, a calamitous social and ideological experiment on an unprecedented scale. As the centenary of the event is marked this year, it is perhaps revealing to note ...

Sunday afternoon in Walt Disney Concert Hall, composer and pianist Nicholas Britell played a riff on Rachmaninoff as a surprise encore to his Los Angeles Philharmonic concert of film music. The crowd ...

Yevgeny Sudbin and Scott Yoo explain the premise behind Rachmaninoff’s “Rhapsody on Paganini” and then perform the piece. This is really one of his most famous things. Actually, Rachmaninoff borrowed ...

The question of assimilation has been on my mind a lot lately. Living in this great country where individuality is embraced, our current obsession with assimilation for those choosing the U.S. as ...