Angus Batey looks at a lavish set of early DJ Shadow singles which restates the long-neglected idea of hip hop as art.

Canadian composer makes a tour of the church organs of Newfoundland and finds a surprising index of the changing of the ...

For years ‘Ghost Town’ by The Specials has been cited as the soundtrack of the 1981 riots, perennially rolled out for ...

With an exclusive introduction by writer and film programmer Gareth Evans, the Quietus presents 'Off With His Head', an ...

The new album from the Washington DC-born singer makes a strong case for the argument that R&B is the most versatile, ...

Sicilian trio Nuhara have produced one of the best albums of the year in their debut, Rama. They speak to Patrick Clarke ...

Six months into 2026 here are the best albums of the year so far, as voted for by tQ staffers, columnists and writers ...

Tariq Goddard heads to City of London Stadium to witness a band intent on playing big music intended to conquer vast spaces ...

Stakes Is High, De La Soul's fourth album, was the first time hip hop questioned its own growing sectarian nature in the ...

Across a decade of releases, Los Angeles-born Jake Muir has demonstrated a firm commitment to shunning the more conservative ...

Ahead of a new book on the history of dub, David Katz offers us ten entry points into the back catalogue of King Tubby ...