Expectations for a future of unlimited potential abounded in the period of political liberation and decolonization across the African continent. In 1957, Ghana peacefully gained independence from ...

The exhibition Marcel Duchamp and this volume are co-organized by two museums with which Duchamp had enduring relationships: The Museum of Modern Art and the Philadelphia Museum of Art. 3 His ...

Frida and Diego: The Last Dream celebrates Frida Kahlo and Diego Rivera —two of Mexico’s most beloved icons of 20th-century art—in a first-of-its-kind collaboration with the Metropolitan Opera.

Of all the senses, touch is the biggest taboo in a museum. Glass cases, stanchions, and signs pepper the galleries to remind us not to touch the art, in order to protect it. But what if allowing touch ...

Ever ready to explore new paths, however, in January 1965 Asawa had enthusiastically accepted an invitation from June Wayne, founder of Tamarind Lithography Workshop (now Tamarind Institute), to be an ...

A relentless explorer, April Greiman has been pushing the boundaries between design, art, and technology for over four decades. Her layered work merges analog and digital, handmade and mechanically ...

In the summer of 1978, when I was a Long Island kid just out of high school, my life was changed by a trip to a Greenwich Village repertory film theater. It was the Art Cinema on 8th Street, which, ...

Join Lola Flash and five friends as they reminisce about art and community when the AIDS epidemic tore through NYC in the 1980s and ’90s.

Hear from artists, writers, and therapists about what happens when art and grief collide.

Elena Subach is a visual artist and photographer based in Lviv, Ukraine. She is currently researching the legacy of the photographer and filmmaker Yulian Dorosh and Lviv photography from the first ...

On the occasion of the exhibition Vital Signs: Artists and the Body, we spoke with art historian Cyle Metzger about Forrest Bess, an artist central to Metzger’s work on the trans history of art in the ...

Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...