An ambitious group exhibition at the Rockbund Art Museum, Shanghai, reimagines a socialist educational programme and the ...
At Kunstverein Kevin, Vienna, ‘Thoughts in No Particular Order, Given the Circumstances’ turns a simple logistical prompt ...
From Asad Raza’s public tennis court staged in a former Belgian church to a subtly subversive edition of Manifesta set across ...
Spanning four floors of London’s largest gallery dedicated to the medium, ‘Japanese Women Photographers: From the 1950s to Now’ seeks to redress a gender imbalance in the international perception of ...
The Greek artist will make a new commission for Frieze London 2026 that combines physical interaction with online ...
At Kunsthalle Basel, the artist’s immersive installations transform Tornado Alley into a metaphor for cyberspace's seductive, ...
In the Australian art world, ‘decolonization’ has become a buzzword in academia, galleries and museums, yet our Aboriginal and Torres Strait Islander artists have been calling for decolonization and ...
In the text that accompanies Cameron Rowland’s current exhibition ‘3 & 4 Will IV. c. 73’, at the Institute for Contemporary Arts in London, the US artist links two dates: 1661, the year the colonial ...
Trinh T. Minh-ha’s first film, Reassemblage (1982), is in some sense a work of ethnographic cinema. Shot in Senegal, it is filled with scenes of daily life, especially of village women. Yet, from its ...
Galoup (Denis Lavant) makes his bed with military precision, the discipline of his many years in the Foreign Legion lingering in his bones even after his unwanted repatriation to France. He lies down ...
As the culture wars of the 1980s raged, the Grenadian-born, British artist Denzil Forrester found refuge in the dimly lit dancehalls of London’s underground nightclubs. Armed with his drawing ...
In 1964, Richard Avedon and James Baldwin published Nothing Personal – a lavish collection of Avedon’s photographs, accompanied by Baldwin’s essay of the same title. Some of the photographer’s most ...
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